Stop it!


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07-11-2010

I just realized it’s been almost two months since I last updated this blog. I guess you could say I’ve been a bit busy lately…

- shooting several sporting events for SacramentoPress.com

- teaching photography classes at Learning Exchange

- working on a large commercial project that includes photography, design and press-printing the final product

- performing serious engine repair on my little beater truck.

The image at the top is a popular shot in sport-shooting. It was inspired by an iconic baseball photo (wish I could find it!) When I enlarge the high-resolution image, I can see the logo on the baseball in nice detail.

This photo is a combination of preparation and luck.  The technical info:

  • Camera: Canon 7D in manual exposure mode
  • Lens: Canon 70-200L f2.8 – manual focus
  • ISO 400
  • Shutter speed: 1/6400 second
  • Aperture: f/2.8

I manually pre-focused on a spot midway between the pitcher’s mound and home plate, put the shutter on continuous release (8 frames per second) and made several attempts. This image was the best one of the bunch.

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DIY – build a loupe


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Where’s the image? The LCD screen is difficult to see in bright light.

05-13-2010

For years photographers have used a loupe to check focus on the groundglass of a view camera, or to inspect a negative or slide. A loupe is simply a magnifier for very close viewing. With the advent of digital cameras, a loupe takes on a new role.  It’s pretty hard to resist chimping your images while shooting; but out in the bright sun it’s almost impossible to see the image on your LCD screen. A loupe can help by blocking out the light while checking your screen.

This post will give you step-by-step instructions for building your own loupe. The parts will cost you less than $15 and it takes a little less than an hour to make.

The parts to make a loupe will cost about $15.

The parts to make a loupe will cost under $15.

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Traveling with a camera – what to take?


"Sunset at Puerto Escondido" taken with Canon G11 camera

"Surfer and Sunset" taken with Canon G11 camera

02-15-2010

It’s always a dilemma when I think about selecting a camera (or two) when leaving for a vacation. How much gear do I want to pack? How much gear will I want to carry with me while I’m at my vacation destination? (If you’re not going to take the camera out with you, then it doesn’t matter what you bring.)

As Laura and I prepared to pack for our recent trip to Puerto Escondido, Mexico, I decided to travel as minimally as possible. The purpose of this trip was to relax, take in the sights and experience Mexico to the fullest. Since we were planning to not check any luggage and just do carry-on, I knew I was going with no more than one camera and one lens. My usual “go-to vacation setup” is a Canon Rebel XTi with a Sigma 18-200 zoom lens. This is a pretty compact, lightweight, yet good all-around rig. The zoom range of 18-200mm is the 35mm equivalent of 28-320mm on the crop sensor, so that works out well as a vacation camera. Wide enough for most vistas and interiors, yet the strong zoom would really pull in detail shots and candids. But I had recently purchased a Canon G11 point and shoot camera and I really wanted to give it a whirl. So I left the DSLR home and put my faith in the G11. That was it, just the camera. And fortunately, as I’ll explain later, lens cleaning materials.

 

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Blur + Detail = Action! (Part 1)


Kenny Roberts maneuvers his Yamaha cafe racer through a turn at Laguna Seca Raceway; July 1975

Kenny Roberts maneuvers his Yamaha cafe racer through a turn at Laguna Seca Raceway; July 1975

01-08-2010

I have always enjoyed action and sports photography. In fact, it was my love of motorcycle racing that led to my love of photography. As a young adult, I spent countless hours tromping around the Laguna Seca Raceway, loaded down with camera gear, in pursuit of the ultimate racing photographs. Riders, like Kenny Roberts above, would race their motorcycles at lightning speed, challenging the expertise and fast reflexes of both themselves and sports photographers.

Action photography offers some special challenges. First of all, when dealing with high-speed action, it is important to capture enough frozen detail to give the viewer a “picture” of what is happening. Still photographs can disclose plenty of information not discernible to the naked eye. Check out the long-jumper below, frozen at the peak of her jump.

Fast shutter speeds freeze action, giving the viewer details about the movement

Fast shutter speeds freeze action, giving the viewer details about the movement

Her facial expression and outstretched arms are captured in great detail, this is something that you may not otherwise be able to see during the jump.

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Air Travel Security: a no-cost solution


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Looks peaceful on the outside

01/01/2010

Since the Christmas Day Crotch Bomber’s failed attempt to bring down an airliner, air travel safety has been abuzz in the news. In a typically reactive fashion, safety measures have been introduced to protect us from an attempt that has already failed.

Remember the shoe bomber? Since then, millions of air travelers have endured the ritual of removing their shoes and walking through the metal detectors in their socks or, worse, barefoot.

I don’t want to begin to speculate how TSA would tighten crotch security.

Since the latest terrorist attempt has illuminated several weaknesses in our government’s safety protocols, the other typical reactive fashion is to put lots of energy (and money) into investigating the people who are critical of the weaknesses. A couple of bloggers have been visited by high-level TSA investigators, interrogated and had their computers confiscated. To my knowledge, these people have not ever attempted to place explosives in their underwear.

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I think we are taking the wrong approach with airline safety. The airport screening measures seem to work at stopping the most obvious methods, so I’m fine with continued baggage screening. But that is pretty much the limit of its effectiveness. I believe the single greatest deterrent to any terrorist activity will ultimately depend upon the eyes, ears (and hands) of other passengers.

So here’s my solution (and it will solve more than one problem): On every flight, the airline attendants already spend a few minutes showing you how to buckle your seatbelt, put on an inflatable donut for water landings, and use the little oxygen masks that will appear when needed. At this point, they should add one topic: they should demonstrate four ways to immobilize another human being. If everyone on a flight is informed and empowered to act, then any suspicious behavior would receive immediate response. If you show a crowded, agitated cabin full of passengers how to kick out a knee, punch a larynx, break an elbow and gouge out an eyeball, then anyone contemplating a terrorist act would not get past first base.

This would be a very cost-effective method to intercept terrorists before they could cause serious damage. Really, it would cost nothing to implement, outside of the initial hand-to-hand combat training for the flight attendants. (And I’m pretty sure they are already trained in these methods.)

In addition to solving the terrorist threat, this would also eliminate a couple of other problems with air travel. First, it would make the pre-flight instruction much more interesting (imagine the play-acted attack and response demonstrated by two flight attendants). Secondly, and even more appealing, this approach would address much of the obnoxious behavior of other passengers. Drunken belligerence would be stifled immediately, people with loud headphones would be much more considerate of their neighbors and perhaps parents would think twice before allowing their little kid to whine throughout an entire flight. (”Hush, Billy, or that sweet little old lady sitting next to you will punch you in the Adam’s Apple.”)

Power to the People…right on.

Black Friday


12-19-2009

This is a multi-media project I put together about Black Friday. It contains images, audio interviews and some royalty-free music.

(Click on image to view slideshow.)
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As the convergence of technical tools (still, video and audio) advances, the convergence of finished products will expand as well. Photographers will be expected to produce packages like these on an everyday basis – these won’t be “special” products.  This will require new skillsets beyond just producing images: it will require the ability to shoot and arrange images that flow and tell a story, develop and ask the questions that the viewer will have as they watch, and produce a finished product in a short time-frame.

And figuring out how to estimate and charge for these products will be a new thing, too.

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Dos Caballeros


 

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11-26-2009

Recently we took a drive to the Napa Valley area to photograph fall colors in the vineyards. These two gentlemen were relaxing in Calistoga, sitting along the main street. They were quite willing to be photographed, although they may look a little apprehensive here. This image was taken late in the evening, it was much darker than it appears. Gotta love the new 5D Mk II and its low light resolution.

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A few red leaves frame a bunch of grapes in a vineyard.

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A vineyard sits among the rolling hills of Napa Valley.

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The Eyes Have It


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11-21-2009

I hardly ever set my camera on any of the in-camera settings, such as black & white, or vivid, or sepia. I always prefer to do image-tweaking in post-production for two reasons: my computer has much more finesse than the in-camera processor, and I prefer to have the choice of using the original in color. Having said that, I was experimenting tonight with the black & white setting on my Canon XTi, perhaps for the first time.

I took this shot in my kitchen; the lighting was from one overhead fixture with two CFL bulbs. I shot it hand-held at 1/15 sec, f/5.6, ISO 1600, with no image-stabilization. I was trying to replicate the old-school days of shooting pushed Tri-X in available light, manual focus, manual everything. My only comfort was the chimp-factor avaiable with the digital camera.

My dog, Pepper, has the most amazing dog eyes. She has some sort of genetic eye-liner which makes most women jealous. (You can’t see it in this image, but she also has a pretty dark moustache, so I guess that evens it out…)

In line with this attempt, it might be fun to really go old-school and turn off the LCD display, shoot without chimping and then seeing how the images come out later. I could even force myself to wait three days to see the results, just like the good old days.

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Lucky Day


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09-30-2009

I was driving home from a photoshoot and noticed that my odometer was rolling over a bunch of 13’s. It’s a good thing I’m not superstitious (I’ve heard that it’s bad luck to be superstitious) or I might have been worried that something bad was about to happen. I was more interested in stopping in a safe spot and taking this photo. Lucky for me I was able to stop at just the right moment. I parked in a nice little quiet spot, positioned  just under a ladder, in front of a black-cat-crossing, and I think my tires were resting on a crack in the street.

I can’t help it if I’m lucky.

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All aboard


Amtrak passes a roadside store.

Amtrak passes a roadside store.

09-25-2009

I rode Amtrak to San Francisco to visit Kenny yesterday. It is a much better way to get to The City than driving. Instead of grinding it out in traffic, I was able to enjoy my coffee, read a book, listen to music, and watch the world pass by my window.

Carquniez Strat Bridges - new one on the left and old one on the right

Carquinez Strait Bridges - new one on the left and old one on the right

The train travels more or less along the Interstate 80 corridor and makes about three stops before Richmond. The Richmond station is a great place to jump on BART and finish the trip into San Francisco. 

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Kenny sitting in the lobby of his apartment building.

We had a great day, grabbed some lunch, walked over to a nice park, stopped at Rogue for cold beer and had a crazy-packed-rush-hour-Muni-bus-ride back to the BART station.

A little girl is no match for a stubborn dog at Washington Square Park.

A little girl is no match for a stubborn dog at Washington Square Park.

A BART train streaks by as it leaves an underground station.

A BART train streaks by as it leaves an underground station.

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